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Stolen Summer

A-
A well made film

By Lee Tistaert

Stolen Summer is the film HBO documented on for several months. The show series, entitled Project Greenlight, involved Ben Affleck and Matt Damon opening up a contest for amateur filmmakers. Writers could send in their script and the best one would be backed by Miramax with a $1 million dollar budget (ending up at either $1.8 or $2.8 mil.) with Affleck, Damon and Chris Moore producing. Pete Jones was the writer/director whose script won in the contest.

I had been a huge fan of the show and didn't even discover it until late December. But from then on I had caught nearly every episode.

 
The one problem within the show (or at least I thought so) was that HBO showed too much of the flaws that took place on-set; the errors; the fights, and not enough of what was going right with the picture. To anyone, including me, it could've been sending mixed vibrations toward the quality, but I still needed to give this flick a shot. The end result, however, is quite impressive despite some weaknesses.

Ultimately, Stolen Summer is about faith, adolescence, growing up and religion. The film tells the story of an eight year old boy (Pete O'Malley, played by Adi Stein) whose teacher is convinced that Pete is going to Hell due to his constant messing around during class. Nervous about this, Pete decides to embark on a quest that would involve assisting a Jewish person to reach Heaven. The local Rabbi, Rabbi Jacobsen (Kevin Pollak) is enchanted by this and agrees to help Pete in his quest.

Subplots include Pete's father, Joe (Aidan Quinn), on a road attempting to persuade Pete's older brother, Patrick (Eddie Kaye Thomas) into not going to college but working in the city. Joe did not go to college due to economical reasons and is trying to make Patrick follow the road he had taken back in those days. Patrick is far from amused by this.

Another side-story involves a friend of Pete's, Danny (Mike Werinberg) having leukemia. The two build a relationship together and as time passes, their acting chemistry grows stronger as well.

Stolen Summer has the feel of a Sunday night ABC Disney special on television, but nevertheless still shines as a well made film. The acting across the board is for the most part terrific, with Kevin Pollak especially giving an exceptional performance. While Aidan Quinn's role can be seen as more of a cliché character, in the long run it didn't bother me much. The cinematography at times was a little harsh in quality, as it wasn't a high point to the feature but wasn't something that downgraded the experience either. One of the nicer things to result from Summer is that Jones packed in plenty of good laughs for the audience, which does makes the film more of a drama/comedy. And in the end, the film touched me.

I was really anticipating Stolen Summer and am quite thrilled at the result. The film seemed to zip by extremely rapidly for me, which can only mean one real thing; I loved it, though the film does hold a relatively short 80 - 90 minute running time. If it weren't for the Oscars beginning in an hour and twenty minutes after my show had ended, I would have loved the story of Stolen Summer to continue on for more screen time. All in all, though I have heard that Pete Jones (writer/director) had the extremely nice advantage of holding one of the best crews out there, which could not always happen with the next Greenlight series, I will still be faithfully looking forward to the next round (which is said to be coming up).

Grade: A-
Crowd Report:
2:30 pm PST show
Sunday, March 24
320 seats
roughly 30 people

 

 

 

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