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Lee's Top Films of 2003
by Lee Tistaert

5. Thirteen

Thirteen is a rather straightforward story if one thinks about it, about a good little apple whom suddenly turns into a rather bad apple after being accepted into another crowd at school.

However, the execution between Catherine Hardwicke’s direction and the incredibly realistic acting makes Thirteen one of the most involving films of the year.

Thirteen starts off on a questionable note, but soon thereafter transitions into a thought provoking and eye-opening experience. Theoretically, the film simply surrounds the main character turning rebellious in her actions, but the film has a feverish sensation that makes it hard to look away from the screen.

The acting between Evan Rachel Wood and Holly Hunter is electrifying, turning a relatively cliché premise into a profound picture, and Hardwicke’s decision of keeping most scenes devoid of a musical score assists in the film’s powerful impact. Many films of this nature would probably debut on cable television, and would probably rely on sappy music to relay its messages. Thirteen goes the opposite way in its intentions, creating its mood through the viewer’s personal emotions, as a musical score would probably never reach the audience’s precise feelings.

Thirteen is essentially every mother’s worst nightmare during their daughter’s middle school or even high school social life; and after seeing the central character go through the nightmare, we ourselves feel like the mother, wanting it all to end. By the end of the film, we feel as emotionally distressed as the primary characters, having just gone on a rollercoaster ourselves.

4. Swimming Pool

Like many art films, Swimming Pool didn’t make a huge splash in its limited run, but that isn’t a big surprise given the film’s rather different and expired filmmaking motif. This is a type of film that studios don’t often make anymore, as it requires the viewer to think and leads the audience on a mystery that only slowly unfolds, which is an ingredient that not a lot of people often prefer.

Most thrillers today have an in-your-face attitude in their attempt to entertain/divert their audience, and use rather expected techniques to retrieve thrills or surprises from the viewer. Swimming Pool is the exact opposite: it is very quiet, and its pace will try the patience of those who need to be easily entertained. But for those who really admire a mystery where the story’s details are brought about in a teasing fashion, little by little, the experience is one to cherish.

Swimming Pool is incredibly anonymous in its intentions; it is challenging to see where the story is going, and the film had me in tight grips the entire time. The picture is composed of captivating moments of silence where the cinematography makes one’s imagination go wild trying to put the pieces together, all while we watch our main protagonist interact with her quiet atmosphere as she tries to get comfortable in an awkward scenario.

The ending to Swimming Pool did disappoint me on a slight level, but I could not deny the impression that the film had on me while I tried to unlock its secrets. I was glued to the screen, loving the use of cinematography and silence, and was taken in by its quiet, seductive soundtrack and terrific acting. While I am not sure how many times I’d be able to watch it again, Swimming Pool is one of the most unique and original films of 2003. And because there are few pictures like it that accomplish this level of filmmaking, I’m given no choice but to reward the film as such.

Top 3 Films >>


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