It is to note that where
I saw Road to Perdition (theater wise)
is not known for rowdy or loud
audiences, but the crowd present for the
show was surprisingly more younger than
older. I attended a 10:15 pm show of
Perdition Friday night, July 12, in what
must be an auditorium carrying 350 - 450
seats. Being as though the last several
flicks I had seen in that theater (that
were big box office success) had dull
attendance opening weekend, tonight I
figured was going to put the theater to
the test and it proved to be swell, as
it sold out.
I happened to be at the
front of the line at 9:15, which
eventually stretched down the block, and
they didn't even allow us in until
around 10:05. The next part is even
trickier (why oh why?), because at 10:15 the line was
still coming in and they just started
the pre-show entertainment (annoying and
creative-less ads). At least most folks
were in by the time trailers kicked off,
as there must have been a total of four
or five ads before the actual previews.
In no particular order,
we had the Analyze That teaser trailer,
which for the most part drew in giggles
across the room and the humorous "oh
no..." reaction from many in attendance,
but one could tell the crowd thought it
looked fun despite the less than rowdy
response. I don't know what others
think, but to me this looks to capture
the box office debut of Ocean's 11 / the
opening per-screen average of Meet the
Parents.
The One Hour Photo
longer trailer version (compared to a
shorter one I saw in Unfaithful) withdrew a creepy
reception from the audience, but I was
picking up a slight scent of a negative
or mixed
vibe from some in attendance. Overall,
it was nicely reacted to, but nothing
you could really pick out.
We had Simone, which
I've seen the trailer for at least three
or four times now, which had a positive
reaction but nothing that great. Again,
no real detailed reactions to pick out.
Then we have the film
I'm looking very forward to; the Dustin
Hoffman drama, Moonlight Mile. The
silence in the room for the preview
suggested interest in the preview, but
like many of the trailer receptions, it
was sort of hard to tell what moviegoers
were pondering.
The Truth About Charlie
received a decent response, with a few
young women in the crowd letting out a
cheer at the entrance of Marky Mark.
Besides from that, no real solid,
evident reaction.
After witnessing the
trailer for Punch-Drunk Love, the
question I ended up spurting out loud to
my friend next to me was, "what the hell
was that?" While a confusing trailer
that doesn't exactly say much,
writer/director P.T. Anderson has yet to
fail on me and the always-promising
presence of Philip Seymour Hoffman gets
my anticipation up there. Only thing is,
Adam Sandler? It'll certainly be
interesting (it apparently won Best
Director at Cannes {or some festival};
go Anderson!)
And that was it. Perhaps
next time reactions will be a little
more fun or evident, as tonight was a
multiplex...(I prefer larger theaters,
but no chain in town was offering one)
Until next time...