The film, about a divorcee seeking solace
in Tuscany, sold out at the box office at
my particular theater. There was a strong
group of moviegoers, the vast majority (I
mean, vast!) of which were senior citizens
and females. Granted, that is the obvious
target audience for this particular film,
but boy did I feel out of place. (I was
there because of my dedication to Ms.
Lane‘s work, really.)That aside, the
turnout and response to the film -- to be
released on September 26th -- were both
very positive. I saw the film in a theater
of about 150 seats, and by the time the
lights dimmed for the trailers to begin,
every single one of them was filled. (And
yes, some of those split up over the
scarcity of seats did complain.)
Touchtone Pictures, the distributor of
"Tuscan Sun," smartly attached a trailer
for their "Calendar Girls," a comedy whose
audience is almost exactly that of the
film in which we were about to see: women
and more specifically, older women. I
hadn't read or heard very much about
"Calendar Girls" beforehand, but the
trailer was actually pretty funny. It's
about a group of women (most of which in
their 50's) who get the radical idea to
each pose nude for a calendar in order to
offer support for one of their husband's
cancer treatment. (Apparently, it was
his request, the devil.)
Seeing as though 75% of the audience
was at or near those ages, the trailer
received a great response – a lot of
laughter, whispering, and clapping ensued.
(Thankfully, none of the women in the
audience felt inclined to stand up and be
Miss September, if you know what I mean.)
For those interested, the film will hit
theaters come Christmas.
Next, the second of oddly only two
trailers, was "Veronica Guerin," the Cate
Blanchett drama/thriller based on a true
story. Blanchett portrays the title
character – an Irish journalist who gets
far too deep into a story, and ultimately
(as I was informed by the chatter
following the trailer) was murdered
because of her investigation. I believe
the film was postponed from late last year
(perhaps we have an Oscar hopeful?) and is
now gunning for a release in October. I
had seen the trailer previously, and still
believe the film looks very good.
Those around me, though (still and
silent throughout the preview), seemed to
enjoy the trailer as well. Following its
end, many talked amongst themselves. As I
mentioned, one woman told her husband
(behind me) that Guerin, in real life, had
been murdered, and others seemed to be
saying things like how sad it was that
they wanted to see it, questioning who
Cate Blanchett is, and why she cut her
hair. Did I mention the audience consisted
of women?
There weren't any further trailers,
which seemed kind of weird at first, but I
was kind of relieved. This way I wouldn't
have to sit through the previews (a part
of moviegoing I actually do love) and hear
people complain about how many there are,
and that they didn't pay money to see
commercials. (Side comment: isn't it
embarrassing how grown adults can complain
so much at the movie theater? No offense,
but come on people, just come late then.
You're just another annoyance to put up
with when you do that.) Anyway, the film
starts rather quickly with minimal
credits, jumping right into the first
scene introducing Lane.
Throughout the film, people seemed
pretty loose and willing to laugh with the
film when necessary. The film isn't
entirely funny being a comedy-drama, but
there are enough light jokes to get a
slight crowd effect. The effect is that
much more enhanced when you sit near an
Italian woman who laughs at things said
in Italian, while you, an
English-speaking individual, has to then
get caught up to speed. (True story...)
When the film ended, the usual burst of
whispers were filled with mostly positive
feedback like, for example: "That was
cute" or "I liked that," along with "Yeah,
me too." It didn't seem that people were
incredibly impressed with the movie, but
far from being negative about it. It was
additionally fun to hear what some older
people had to say about the film. "That's
such a great place -- so pretty, you
know?" was something I heard throwing away
my drink. Had we seen a movie or taken a
two-hour trip to Italy? Apparently not
everyone there had been on the same page.
My opinion of the film may have been a
bit less than others was, but I'm a movie
critic – we're put here in theaters to be
more, well, critical than everyone else.
"Under the Tuscan Sun" is the type of film
that girls will bring their "girl friends"
to see and likely enjoy because of a
whimsical, romantic plot. I, however, went
for a different reason: Diane Lane. She's
an incredibly talented actress and I was
thoroughly interested to see her follow-up
to last year's "Unfaithful." (And yes, I
think she’s gorgeous.)
Although this may not have been the
most reliable of motives walking in, I
wasn't bias because of it. Females
sometimes accuse me of not liking "chick
flicks" such as this one, but I'm really
not; they may not be collectively my kind
of movies, but I can appreciate a good
film as being just that. "Tuscan Sun" lies
somewhere in the middle, though, between
good and bad. Lane gives a strong
performance, but the film as a whole
lacked the substance I had expected.
"Under The Tuscan Sun" is a light and
entertaining film, and something that
women should see with their friends on
girls night out, or whatever it's called
now. Being a male, I may have felt out of
place seeing this movie, but hey, being in
a roomful of women is never bad -- even if
most of them are twice or thrice your age.