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Weekend Box Office TTT Rules Praise, but Not B.O. (Special)
(
"Expectations are sometimes just too high")
by Lee Tistaert

This column could irritate or even anger some of the Two Towers crazed fans, but so be it.

A lot has been said about the latest performance of the Lord of the Rings sequel, and how it will pretty definitely not make it to $400 million even with any Oscar consideration the film receives. Every week box office fans are jazzed up about whether the film will beat so-and-so in the top five/ten, but I feel that people in general are over-hyping/over-talking the situation a bit much. It’s hard to go on a fan-site message board without reading posts about Two Towers long-term domestic forecasts, resulting in fan after fan of the franchise posting a thread about how he/she can’t wait till the sequel garners every box office record known to man.

I understand that everyone has their own opinions and viewpoints toward certain topics, but to me it feels like any film fan with any realistic idea of moviemaking would realize some of the flaws The Two Towers carried. I’ve seen movie fans post the Lord of the Rings sequel as an A+ or an A in grade, but sort of wonder if any of them comprehend the basic language of film themselves. Some claim it’s the best film of 2002, which I find ludicrous, but then again that’s just me. When I originally saw the sequel, I was very impressed indeed with the results of a three-hour film that pretty much flew by my eyes. But as for a movie that was jam-packed with quality at every corner of its story/execution, Two Towers didn’t have it all.

The intro has some truly great cinematography, but then as it immediately switches gears into the special effects division involving Gandalf (Ian McKellen), I suddenly felt like I was watching fake visuals. The segment had the feel of a standard computer game, which slightly took me out of the ride. The movie graduates a bit after this point, as the cheesy FX shots are given a break and the story begins. But Two Towers carries along various other moments (many of the living trees appeared too CGI, for one) where it is so damn obvious we’re watching computer generated images. I may be picky, but when I make the association that I’m watching fakeness roll onto the screen pretty clearly, it sort of makes the imaginative feel fade away a little bit.

Harry Potter & the Chamber of Secrets, on the other hand, did a pretty suave job of performing visual effects that we knew were blue screen-based but the believability from at least my mind was there. The film carried a bare minimum if any (at the top of my head) fake or cheesy shots that took my imagination out of the magic unrolling. The Two Towers has a lot of splendid visuals and action shots that are really well done, but it also has its share of unbelievable (in a negative sense) views that can take someone out of the picture.

From my understanding of film, I always thought that A or A+ films (even an A-) would involve spectacular performances from just about the entire cast. An A+ movie is essentially a perfect production without any flaws. If you gaze at the acting lineup in Two Towers, I wouldn’t exactly brand the general acting at the top of its game. I saw more good in Elijah Wood the second time I saw the sequel and likewise for Sean Astin, but nowhere near Oscar worthy. That’s not to say they’re bad, as they’re believable but not quite outstanding. I felt that if there was one performance that rocked the world, it was Viggo Mortenson. Is he Oscar worthy? Not really, but he pretty well sold the part.

Ian McKellen does a good job once again filling the shoes of Gandalf, but didn’t find it overly special despite my opening night audience cheering loudly at his first big appearance. There’s also a moment nearing the end with McKellen involved that springs exact memories from the ending of Indiana Jones and the Last Crusade (right before Indiana and clan are riding off into the distance). And if you actually pay attention earlier on in Two Towers, the spot where Aragorn (Mortenson) believes to know how an incident had once taken place over a piece of land is almost an exact copycat of a relevant scene in The Princess Bride.

'TTT Rules Praise' Continued...


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